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Close Encounters of the Third Kind [US Import] [Blu-ray] [1977]

Close Encounters of the Third Kind [US Import] [Blu-ray] [1977]

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Director: Steven Spielberg
Actors: Richard Dreyfuss, Francois Truffaut, Teri Garr, Melinda Dillon, Bob Balaban
Studio: Sony Pictures
Category: DVD

Buy New: £27.75



New (8) Used (6) from £4.89

Rating: 4.5 out of 5 stars 25 reviews
Sales Rank: 105721

Format: Ac-3, Dolby, Dts Surround Sound, Dubbed, Subtitled, Widescreen
Languages: English (Original Language), Spanish (Original Language), French (Original Language), Arabic (Subtitled), Chinese (Subtitled), English (Subtitled), French (Subtitled), Korean (Subtitled), Portuguese (Subtitled), Spanish (Subtitled), French (Dubbed), Spanish (Dubbed)
Media: Blu-ray
Number Of Items: 2
Running Time: 404
Aspect Ratio: 2.35:1
Shipping Weight (lbs): 1
Dimensions (in): 6.9 x 5.4 x 1.1

MPN: COLBR22859
UPC: 043396228597
EAN: 0043396228597
ASIN: B000VECACG

Theatrical Release Date: 1977
Release Date: November 13, 2007
Availability: Usually dispatched within 1-2 business days
Shipping: International shipping available
Condition: BRAND NEW items direct from the USA. Please allow 5 to 10 business days for delivery

Similar Items:

  • E.T. - The Extra Terrestrial [Special Edition]
  • 2001: A Space Odyssey [1968]
  • 2010 : The Year We Make Contact [1984]
  • Contact (Special Edition) [1997]
  • Jaws 30th Anniversary 2dvd Special Edition [1975]

Editorial Reviews:

Amazon.co.uk Review
Released in 1977, Close Encounters of the Third Kind was that year's cerebral alternative to Star Wars. It's arguably the archetypal Spielberg film, featuring a fantasy-meets-reality storyline (to be developed further in E.T.), a misunderstood Everyman character (Richard Dreyfuss), apparently hostile government agents (long before The X-Files), a sense of childlike awe in the face of the otherworldly, and a sweeping feel for epic film-making learned from the classic school of David Lean. Contributing to the film's overall success are the Oscar-winning cinematography from Vilmos Zsigmond, Douglas Trumbull's lavish effects and an extraordinary score from John Williams that develops from eerie atonality a la Ligeti to the gorgeous sentiment of "When You Wish Upon a Star" over the end credits.

Not content with the final result, Spielberg tinkered with the editing and inserted some new scenes to make a "Special Edition" in 1980 which ran three minutes shorter than the original, then made further revisions to create a slightly longer "Collector's Edition" in 1998. This later version deletes the mothership interior scenes that were inserted in the "Special Edition" and restores the original ending.

On the DVD: CE3K is packaged here with confusing documentation that fails to make clear any differences between earlier versions of the film and this "Collector's Edition"--worse, the back cover blurb misleadingly implies that this disc is the 1980 "Special Edition" edit. It is not. A gorgeous anamorphic widescreen print of Spielberg's 1998 "Collector's Edition" edit occupies the first disc: this is the version with the original theatrical ending restored but new scenes from the "Special Edition" retained.

The second disc rounds up sundry deleted scenes that were either dropped from the original version or never made it into the film at all--fans of the "Special Edition" can find the mothership interior sequence here. The excellent "making-of" documentary dates from 1997 and has interviews with almost everyone involved, including the director speaking from the set of Saving Private Ryan. Thankfully the superb picture and sound of the feature make this set entirely compelling and more than compensate for the inadequate packaging. --Mark Walker


Customer Reviews:   Read 20 more reviews...

5 out of 5 stars I was young yes but this film had a life long impact on me   April 1, 2002
 10 out of 12 found this review helpful

I have seen CE 72 times though not recently. I know the film as part of myself. I was an impressionable youngster before the big screen all those years ago and the film had as big an impact on me as I think a film can have on anyone.
I can't get that feeling again of course but I beleive there is something really special about this film. If I had to put things into boxes I would draw attention to John William's music, Speilberg's unique use of light and Richard Dreyfuss making the whole thing connect.
What lives out there in space whether it visits us or not is a bottomless pit of adventure for the imaginative mind. Only very occassionally do we see that come to fruition on the screen. An important part of making a movie an experience for the viewer is not to shine light under every stone but to leave something to your imagination. Those probing inquisative beams of light in the middle of nowhere make you wonder what is producing it but the beam itself is a wonder. The presence of the mother ship is made known to you with its communicating light from behind cloud cover. This is what makes this film so facinating..tantalising glimses that keep you wanting to go on, but feeding you rewards periodically. The outside of the mothership is what the director gives you, your imagination is allowed to work to own personal satifaction as to the interior of such a craft. You may, like me decide that it would be unimaginable. The original ending is the only ending.



5 out of 5 stars HUGE!   March 3, 2006
 6 out of 7 found this review helpful

When you look back its kind of incredible the run Spielberg was on at the time, in the space of four years he gave us Raiders of the Lost Ark, ET and this. Much as I love the other two, in my opinion this remains Spielbergs true masterpiece. Richard Dreyfuss is absolute class playing a man brimming with pent up, seemingly, directionless energy - but Dreyfuss at his best cannot outshine the film itself. The special effects are still not dated (how can that be!?), the soundtrack better than the best Bernard Herrmann score, and...and....the whole film is just so...BIG, I really don't know how else to describe it. The Indian chant, the mash potato mountain, the posessed toys, the policecar chasing the ships off the mountain road, the desert discovery of the missing planes and obviously the entire Devils Tower conclusion. How many brilliant scenes could one film have?


5 out of 5 stars Greatest movie to embrace cinema history   April 15, 2007
 3 out of 3 found this review helpful

Close Encounters of the Third Kind--Collector's Edition (two discs) [1978] in my books is the greatest movie to embrace cinema history. Legendary movie director Steven Spielberg has treated viewers with memorable movies during late 70's to early 80's. The movie is a real genuine model to reflect the art of fine cinema making. What elements should this model comprise?

1/The movie special effects are truly amazing bearing in mind it was screened in the late 1970's and you would expect technology to be obsolete, but what you observe does not appear to be the case.

2/ The subject area of movie is about sightings of UFO'S activities discovered in a mid- western town in American. There are sightings of these unusual activities witnessed in other parts of the world. The average American (Richard Dreyfuss) wants to seek answers surrounding these activities. The subject area of extra terrestrial activities continues to attract widespread global attention and is fascinating to learn about.

3/ The pace of the story is really well builds up and maintains interest. The musical background adds a thrilling element to the movie.

In a nutshell, Close Encounters of the Third Kind--Collector's Edition (two discs) [1978] is the greatest movie to embrace cinema history. The extra features accompanying the DVD are excellent. If you are interested in UFO activities or you want to appreciate cinema making at its sheer best and highest quality, then Close Encounters of the Third Kind--Collector's Edition (two discs) [1978] will certainly satisfy your taste.



5 out of 5 stars This movie changed a genre   February 6, 2005
 5 out of 6 found this review helpful

Steven Spielberg is at his best here. The film plays almost like a documentary, and leaves you half-expecting to see alien ships whipping past you on the highway.

Richard Dreyfuss, in a stellar performance, is an ordinary man who is suddenly possessed by something, but is not sure what. We, and he, gradually discover that he is not alone in this obsession; a small group of people across the country have been summoned to Devil's Tower in Wyoming. There is also a sudden increase in UFO sightings across the country. The summonees gradually converge on Devil's Tower, while the scientific community tries to keep everyone away, out of legitimate and sincere safety concerns. The scientists have figured out that a spaceship is on its way and plans to land. The entire movie runs like Ravel's "Bolero": a slow crescendo culminating in a roaring climax.

The special effects are not only extremely good but are also beautiful. The alien scout ships look like luminescently surreal Christmas tree ornaments and the mother-ship looks like the surreal tree they came from. Everything glows in outlandish colors. The musical score fits the movie perfectly (well, it was done by John Williams) and can stand alone as an orchestral masterpiece. The acting is also very good, and especially so for Richard Dreyfuss.

This film redefined the whole genre of aliens-visit-Earth. Before "Close Encounters", such movies had the aliens attacking us, the aliens appearing friendly but actually here for nefarious reasons, or the aliens being here for genuinely friendly reasons but we don't get it and end up attacking them. "Close Encounters" showed benign, intelligent aliens being met by benign, intelligent humans for information exchange and mutual gain. Of all the garbage and violence we've broadcast out into space (for everything seen on broadcast television is also transmitted Out There), I hope that any would-be visitors, if they exist, see this film before arriving. Even without understanding a word, they'll get the message: if you come in peace, you'll be received in kind. I'm not some fanatic who's convinced there is someone on the way, but, just in case there is, I hope we can respond as maturely and intelligently as this film portrays.


5 out of 5 stars Even better on DVD, but...   January 22, 2002
 7 out of 9 found this review helpful

Close Encounters has just become No. 1 again in my favourite films of all time (Blade Runner was there for years) because of the DVD. The picture and the sound quality, especially, are amazing.
When you don't have time for the film, pop on disc 2 - the documentary is fascinating, as well as the numerous other bits.
just ONE caveate - I had no idea that in this version, they would not show the "inside the mother ship" sequence at the end. I was crushed!! Still worth getting though.


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